Gold Standard // No. 08
Production, delivery, and installation
Monoprint on Rives BFK, water-based ink, vintage National Geographic clippings, pencil. Mount to rag board, powdercoated white aluminum frame, optium.
12 x 12 in. Edition of 1
Print: 11 x 15 in / 27.9 x 38.1 cm
Frame: 14 x 18 x 1.5 in / 35.6 x 45.7 x 3.8 cm
Production, delivery, and installation
Monoprint on Rives BFK, water-based ink, vintage National Geographic clippings, pencil. Mount to rag board, powdercoated white aluminum frame, optium.
12 x 12 in. Edition of 1
Print: 11 x 15 in / 27.9 x 38.1 cm
Frame: 14 x 18 x 1.5 in / 35.6 x 45.7 x 3.8 cm
Production, delivery, and installation
Monoprint on Rives BFK, water-based ink, vintage National Geographic clippings, pencil. Mount to rag board, powdercoated white aluminum frame, optium.
12 x 12 in. Edition of 1
Print: 11 x 15 in / 27.9 x 38.1 cm
Frame: 14 x 18 x 1.5 in / 35.6 x 45.7 x 3.8 cm
These works on paper pay homage to the 1970’s, an era when National Geographic, with its iconic yellow border, was a portal to distant cultures. Before pixels replaced film, the monthly print magazine was the gold standard for photography, and inspired many young artists (myself included) to pick up a camera for the first time. The technical skill, persistence, and fortitude required to produce a single Kodachrome slide worthy of the magazine was legendary, and far beyond the digital fast food standards of today.
These one-of-a-kind monoprints mourn both the loss of film and its more disciplined analog form of image making. They also celebrate and modernize these archetypal images of culture and humanity.